In 1946-ish, George Orwell wrote an essay on his reasons for writing, sensibly titled “Why I write.”
It is an internally conflicted but fascinating little essay on a subject that vexes many writers.
He starts:
“Putting aside the need to make a living…[which is a slightly peculiar introduction for a penniless, failed Burmese policeman who believed in a socialist reorganisation of society] I think there are four great motives for writing[1]…They exist in different degrees in every writer, and in any one writer the proportions will vary from time to time, according to the atmosphere in which he is living.
They are:
1. Sheer egotism. Desire to seem clever, to be talked about, to be remembered after death, to get your own back on grown-ups who snubbed you in childhood, etc. etc. It is humbug to pretend that this is not a motive, and a strong one. Writers share this characteristic with scientists, artists, politicians, lawyers, soldiers, successful businessmen [I think unsuccessful ones as well] – in short, with the whole top crust of humanity.[2]
2. Aesthetic enthusiasm. Perception of beauty in the external world, and their right arrangement.[3] Pleasure in the impact of one sound on another, in the firmness of good prose or the rhythm of a good story. Desire to share an experience which one feels is valuable and ought not to be missed…
3. Historical impulse. Desire to see things as they are, to find out true facts and store them up for the use of posterity. [He can’t be talking about prose here!]
4. Political purpose – using the word political in the widest possible sense. Desire to push the world in a certain direction, to alter other people’s idea of the kind of society that they should strive after. Once again, no book is genuinely free from political bias.”
As for George himself, he says that if he had lived in “a peaceful age” (not sure which age he is referring to here, I am still looking for a uniformly rosy period of history to which I can get transported if the opportunity arises) he would have been a writer of “ornate and merely descriptive” books. He was, he said, mostly motivated by points 1 through 3 until the political and military actions of the 1930s crystalised European social injustice issues. After which time he was motivated by reason 4 and he says that every line was written against the orthodoxy and for his preferred system. His italics.
He concludes:
“It seems to me nonsense, in a period like our own, to think that one can avoid writing of such subjects.”
* * *
I have spent a good part of this year thinking about why I write.
From where I stand (mostly sitting), watching the far right rise again in Europe, the far left rise in China, and the once dominant middle crumble in America, we live in what George would call such “a period” where if you are going to write, produce, comment, blog, you cannot avoid writing against one orthodoxy and for another.
As it turned out, for most of this year, I ended up documenting the workers in a bicycle factory in rural France with my camera, overly concerned that I was simply indulging myself and working as an amateur bicycle pornographer.
But Orwell is correct, you can’t avoid joining the debate about what our society ought to strive for, and specifically, advocating a particular position.
“It is a simply a question of what side you takes and what approach one follows. And the more one is conscious of one’s political bias, the more chance one has of acting politically without sacrificing one’s aesthetic and intellectual integrity.”
What comes of what I have observed, what I am starting to write about, I have no idea, but I accept is more effective to be honest at the front end about one’s biases and be comfortable with the egotistical foundation.
And so, now I have written all this, I must also be comfortable with the incredible time consumer writing can be, because I have spent an afternoon and part of a restless night thinking and then writing about thinking and writing.
Next month I might just write a piece on why I write about why I write.
P
PS. Orwell comments that “serious writers are on the whole more vain and self-centered than journalist, though less interested in money.” Again, a lovely Orwellian compliment. If you write you are either a vain and self-centered “serious” writer or a money hungry journalist. Not sure where he would put well paid Fox News commentators and un-paid Huffington Post contributors.
[1] He adds, almost dismissively, “at any rate for writing prose.” You can argue that what he was saying only has relevance for the motivations for writing “prose” but fuck, what Orwell calls prose reads like the political and social dissertations of the most determined writers.
[2] Orwell doesn’t believe the great mass of humans are acutely selfish. Most, by the age of 30, have abandoned individual ambition or are buried under the drudgery of a capitalist system. However, there is a “minority of gifted [read lucky bastards, not hard working or anything positive], wilful [the nicest thing he can say without saying selfish] people who are determined to live their own lives to the end” and writers belong in this group.” A backhanded compliment, which he knows lands squarely on himself, if I have every read one.
[3] Correcting for asymmetry seems to me to fit here: in the sense that a symmetrical external world is beautiful, and only gets out of whack because of how people futz with it, and with some help, the right arrangement can be achieved.









